The Good-Morrow By John Donne

 The Good-Morrow

By John Donne

I wonder, by my troth, what thou and I

Did, till we loved? Were we not weaned till then?

But sucked on country pleasures, childishly?

Or snorted we in the Seven Sleepers’ den?

’Twas so; but this, all pleasures fancies be.

If ever any beauty I did see,

Which I desired, and got, ’twas but a dream of thee.

And now good-morrow to our waking souls,

Which watch not one another out of fear;

For love, all love of other sights controls,

And makes one little room an everywhere.

Let sea-discoverers to new worlds have gone,

Let maps to other, worlds on worlds have shown,

Let us possess one world, each hath one, and is one.

My face in thine eye, thine in mine appears,

And true plain hearts do in the faces rest;

Where can we find two better hemispheres,

Without sharp north, without declining west?

Whatever dies, was not mixed equally;

If our two loves be one, or, thou and I

Love so alike, that none do slacken, none can die.

Stanza-wise Paraphrase and Explanation of "The Good-Morrow" by John Donne:

Stanza 1 Text

"I wonder, by my troth, what thou and I

Did, till we loved? Were we not weaned till then,

But sucked on country pleasures, childishly?

Or snorted we in the Seven Sleepers’ den?

’Twas so; but this, all pleasures fancies be.

If ever any beauty I did see,

Which I desired, and got, ’twas but a dream of thee."

Paraphrase:

Before falling in love, our lives were trivial and immature, much like the innocent pleasures of childhood or dreams that lacked true meaning. Any previous experiences or relationships were insignificant compared to the deep and fulfilling love we have now. It seems as though we were asleep, unaware of what true love really is.

Explanation:

The speaker wonders what he and his beloved were doing before they fell in love. He compares their past experiences to the innocent pleasures of childhood, suggesting that they were immature and lacked true meaning. He also alludes to the Seven Sleepers’ den—a reference to a Christian legend where seven young men slept in a cave for centuries—implying that they were asleep, unaware of what true love was. Any past attractions or pleasures were merely illusions, shadows of the real love they now share.

Literary Devices:

Rhetorical Question:

"What thou and I did, till we loved?"

The speaker poses a question to emphasize that life before love was meaningless.

Metaphor:

"But sucked on country pleasures, childishly"

Love before this relationship was like childish nourishment, implying immaturity.

Allusion:

"Seven Sleepers’ den"

A reference to a Christian legend about people who slept for centuries, symbolizing ignorance before true love.

Imagery:

"If ever any beauty I did see, which I desired, and got, 'twas but a dream of thee."

The idea that past attractions were mere dreams of the beloved paints a vivid picture of illusion versus reality.

Stanza 2 Text

"And now good morrow to our waking souls,

Which watch not one another out of fear;

For love, all love of other sights controls,

And makes one little room an everywhere.

Let sea-discoverers to new worlds have gone,

Let maps to others, worlds on worlds have shown;

Let us possess one world, each hath one, and is one."

Paraphrase:

Now that we have awakened to love, we find complete satisfaction in each other. We are so deeply connected that we do not need anything else in the world. Our love is like a small, self-contained universe, where we only need to look into each other’s eyes to see the reflection of our souls. In this love, we discover the entire world without the need to explore beyond ourselves.

Explanation:

The speaker welcomes the awakening of their souls, suggesting that true love has given them new awareness. Unlike those in insecure relationships, they do not need to watch each other out of jealousy or fear. Their love is so fulfilling that it makes their small world feel as vast as the entire universe. While explorers travel to discover new lands and maps reveal new places, they have already found everything they need in each other.

Literary Devices:

Personification:

"Good morrow to our waking souls"

The souls are "waking," as if they were asleep before love.

Hyperbole:

"And makes one little room an everywhere."

The power of love transforms their confined space into an entire universe.

Metaphor:

"Let sea-discoverers to new worlds have gone"

Explorers search for new lands, but the lovers' world is complete within themselves.

Parallelism:

"Let sea-discoverers… Let maps…"

The repetition of "Let" emphasizes contrast between worldly exploration and internal fulfillment.

Stanza 3 Text

"My face in thine eye, thine in mine appears,

And true plain hearts do in the faces rest;

Where can we find two better hemispheres,

Without sharp north, without declining west?

Whatever dies was not mixed equally;

If our two loves be one, or, thou and I

Love so alike that none do slacken, none can die."

Paraphrase:

Our love is pure and balanced, unlike the superficial relationships of others. It is not driven by physical attraction alone but by a deeper, spiritual connection. Because our love is equal and true, it will never fade. Unlike worldly things that decay over time, our love will endure because it is built on mutual respect, devotion, and unity.

Explanation:

The speaker describes their love as so deep that they see themselves reflected in each other's eyes. Their love is pure and true, untainted by deceit. He compares their relationship to two perfect hemispheres, suggesting completeness. Unlike the physical world, which suffers from decay and imbalance, their love is perfectly balanced, ensuring it will never fade or die.

Literary Devices:

Imagery:

"My face in thine eye, thine in mine appears"

Creates a visual of intimate reflection, symbolizing unity.

Metaphor:

"Two better hemispheres"

Their love is like a perfectly balanced world.

Symbolism:

"Without sharp north, without declining west"

No coldness (sharp north) or decline (setting west), meaning their love is neither harsh nor fading.

Philosophical Argument:

"Whatever dies was not mixed equally"

A reference to the classical theory that things with perfect balance do not decay, reinforcing the immortality of their love.

Parallelism & Repetition:

"None do slacken, none can die"

Repetition emphasizes the eternal nature of their love.

Overall Themes and Significance

Awakening Through Love:

The poem moves from ignorance to enlightenment, much like spiritual or intellectual awakening.

The Power of Love to Create a Universe:

Love transforms a small, personal space into a world of its own.

True Love as Perfect and Eternal:

Love that is balanced and mutual does not fade or die.

Contrast Between Physical and Spiritual Love:

Past experiences were merely physical, whereas this love is spiritual and fulfilling.

Conclusion

John Donne's "The Good-Morrow" is a profound exploration of love's transformative power. Through metaphysical conceits, striking imagery, and philosophical reflections, he portrays love as an awakening, a universe, and an eternal force. The poem ultimately celebrates love that transcends physical attraction and becomes a deep, spiritual connection.