rssenglishworld, The English Literature and Grammar Digest

  THE GIFT OF THE MAGI by O. Henry One dollar and seventy cents. That was all. She had put it aside, one cent and then another and then another, in her careful buying of meat and other food. Della counted it three times. One dollar and eighty-seven cents. And the next day would be Christmas. There was clearly nothing to do but flop down on the shabby little couch and howl. So Della did it. Which instigates the moral reflection that life is made up of sobs, sniffles, and smiles, with sniffles predominating. While the mistress of the home is gradually subsiding from the first stage to the second, take a look at the home. A furnished flat at $8 per week. It did not exactly beggar description, but it certainly had that word on the lookout for the mendicancy squad. In the vestibule below was a letter-box into which no letter would go, and an electric button from which no mortal finger could coax a ring. Also appertaining thereunto was a card bearing the name "Mr. James Dillin

Stopping by Woods on a Snowy Evening BY  ROBERT FROST Whose woods these are I think I know.  His house is in the village though;  He will not see me stopping here    To watch his woods fill up with snow.  My little horse must think it queer    To stop without a farmhouse near   Between the woods and frozen lake    The darkest evening of the year.    He gives his harness bells a shake    To ask if there is some mistake.    The only other sound’s the sweep    Of easy wind and downy flake.    The woods are lovely, dark and deep,    But I have promises to keep,    And miles to go before I sleep, And miles to go before I sleep. Summary and  appreciation of the poem “Stopping by Woods on a Snowy Evening.” This poem, written in 1922, by Robert  Frost, has a story to tell and the poem successfully engages the audience to listen to it. The language is very plain and the final punch is delivered in the last line which is a refrain. The poem is very popular because it is the story of everybod

Ode To Tomatoes  by  Pablo Neruda The street filled with tomatoes, midday, summer, light is halved like a tomato, its juice runs through the streets. In December, unabated, the tomato invades the kitchen, it enters at lunchtime, takes its ease on countertops, among glasses, butter dishes, blue saltcellars. It sheds its own light, benign majesty. Unfortunately, we must murder it: the knife sinks into living flesh, red viscera a cool sun, profound, inexhaustible, populates the salads of Chile, happily, it is wed to the clear onion, and to celebrate the union we pour oil, essential child of the olive, onto its halved hemispheres, pepper adds its fragrance, salt, its magnetism; it is the wedding of the day, parsley hoists its flag, potatoes bubble vigorously, the aroma of the roast knocks at the door, it's time! come on! and, on the table, at the midpoint of summer, the tomato, star of earth, recurrent and fertile